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The Colonial Museum – 1865 to 1907: History, collecting, and provenance

Founded in Thorndon in 1865 by Sir James Hector, the Colonial Museum was Te Papa’s predecessor. Discover its early stories and people, and how past collecting practices continue to shape – and sometimes hinder – provenance research today.

The Colonial Museum at Museum Street

The tiny Colonial Museum opened in a purpose-built building on Museum Street, shortly after Parliament moved to Wellington in 1865.

  • 1934 photograph of Wellington Colonial Museum

    Our history

    Discover how we came to be, from the opening of the Colonial Museum in 1865 to Te Papa today.

  • A black and white photo of the Government Building and the Colonial Museum in Thorndon.

    Strolling down Museum Street

    In 2015, History Curator Kirstie Ross took a walk down to where Museum Street was – once the address of the Colonial Museum .

  • Portrait of Sir James Hector

    Sir James Hector

    Born in Scotland, Sir James Hector was the first Director of the Colonial Museum and Geological Survey and held this position for almost 40 years.

Working with colonial collecting in the present day

Caring for taonga can involves provenance research, restoring connections, record updating, and a variety of skills to uplift and hold the stories and histories in the Te Papa collections.

  • A black and white photo showing a crowded high-ceiling room with lots of museum artefacts in it.

    Project: Acknowledging our colonial past

    This project seeks to ensure that all taonga Māori collected during James Hector’s directorship at the Colonial Museum have their provenance and associated information reconciled with their current registration numbers, and therefore made available to our visitors and those connected to them.

  • A black and white photo of a museum with everything jammed in together.

    Museum collecting: Acknowledging our Colonial past

    Our national museum’s history began in 1865, and early documentation wasn't as thorough or careful as it is today. Curator Mātauranga Māori Amber Aranui takes us back to this creatively documented time and what it means for tracking our collection items.

  • A hand is holding a stone adze with old museum stickers and handwritten labels on it.

    Reconnecting and recognising taonga Māori in Te Papa’s collections

    Master’s student Manon Verdello worked with the Mātauranga Māori team on the Acknowledging our Colonial Past project. A part of her work was reconciling the original collection records from the 1860s to the current collection database. Here, Manon describes how she went about it and some of the challenges she faced along the way. 

  • Illustration of three women smiling at each other under a neon sign that says "The Taonga Files"

    Podcast: The Taonga Files

    The Taonga Files by Curators Dr Amber Aranui and Migoto Eria, and Dr Monica Tromp is a podcast about provenance research – the detective work of uncovering the histories of taonga Māori held in museum collections. Each episode explores how research reveals not only what sits on museum shelves, but how those taonga arrived there, and the stories they carry.

    This link will take you to the Taonga Files podcast on RSS.com.

  • Black and white photo of two people standing in a field next to a piece of weaving

    Mapping the Sāmoa Collection

    This project aims to enhance museum catalogue records and develop digital maps to contextualise taonga; enhancing their visibility and improving associated biographies, which then allows communities to utilise and share these resources, as well as support museum collections and knowledge.

  • A purple and white woven vest with a black leather backing.

    Colonial collecting – returning a raranga vest

    Te Papa collection manager and kaitiaki taonga Moana Parata shares a story of her journey to Los Angeles to bring home a precious taonga (treasure), a raranga vest collected by Carl Freeze, an American Mormon missionary in the early 1900s.

  • Who wrote that? Forensic analysis of museum specimen labels

    Museum curators often need to identify handwriting. In the Bird department this includes determining who wrote historical register entries and specimen labels, or who was responsible for annotations on original documents. Much of this skill is learnt on the job, and sometimes it’s also knowing when to call on the police.

  • A small carving of a stylised figure with paua eyes sitting on a white surface.

    More stories than you can shake a tokotoko at

    With over 35,000 pieces in the Māori collection alone, there are stories and mysteries at every turn in Te Papa, more than you can shake a tokotoko (walking stick) at. Mātauranga Māori curator Puawai Cairns digs around in the records about an item that arrived in the time of the Colonial Museum.

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